A collection of illustrations of (non)human injuries

Technique:
Watercolour on paper
Year:
2022-2023

This is an individual attempt to deprive the enemy of subjectivity by transferring their image to paper and staring at it again and again. The works are taken from Telegram channels, where the mutilated bodies of Russians are displayed. Through my practice, I try to explore the tolerance of violence during war. Dehumanisation.
Can a person who came to kill remain human?
It is also a certain gaze at the body under war conditions and observing its atypical deformations. And essentially, for ethical reasons, this is only possible for me through the study of the bodies of the dead aggressors.

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries

Ola Yeriemieieva. A collection of illustrations of (non)human injuries