War works
I started painting again two weeks after the full-scale invasion began when the shock passed, and I came back home from my friends. At first, it was hard to create images, so I just drew from photos, recording what was happening, like in a diary. Then the war began to produce too many images. Some are forever embedded in the subconscious. The photos of the dead children struck me the most: I can't accept them, and I don't know how to live with it.
Now I draw mainly with watercolour pencils on paper. Previously, there was only an A4 format. Now I sometimes also create A1. I immediately transfer all the money from the sale of artworks to the Kharkiv volunteer hub "Culture Shock". Also, for donations to volunteers, I send the donators prints with pictures, art books, and zines.
The profile selection combines drawings from various series of the author: "aqWARelle", "Air raid alarm", "Electricity", "Kharkiv", and others.
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
Mitya Fenechkin. War works
